Upcoming Events

The exhibition showcases a variety of Kanchan Chander’s works through her now forty-five-year career. It will include exclusive drawings and etchings which have never been displayed before and bringing together a large body of her work to celebrate her trajectory as an artist.

Presented by Art Explore, this exhibition serves as a powerful platform to present Vipul Kumar’s artistic journey — from his early stone sculptures to his transformative engagement with clay. Central to the show are works that explore environmental fragility, spiritual introspection, and mythological symbolism. Drawing from Jain and Buddhist cosmologies, as well as poetic traditions such as that of Kabir, Kumar’s sculptures evoke a timeless quality while remaining deeply rooted in contemporary concerns. The exhibition will include key pieces and newly developed works that mark a turning point in his career. With raw, weathered surfaces and organic, monumental forms, the sculptures invite viewers into a meditative space where philosophical inquiry meets sensory experience. This proposed solo exhibition highlights Vipul Kumar’s mastery over material and form and asserts his pivotal role in shaping contemporary Indian ceramics. It reaffirms ceramics as a serious medium of artistic expression and brings critical and curatorial attention to an artist who continues to challenge boundaries with quiet intensity and profound clarity.

Presented by the Knowledge Convergence Foundation, this exhibition reflects the promising future of visual arts in India across regions. It also intends to show the impact that residency had on the practices of the exhibiting artists. The curatorial umbrella under which the works are showcased, Paradise Promised, explores the varied interpretations of paradise and its role in shaping aspirations. Many artists have looked at notions of development, nature and even personal relationships as a sort of paradise. Drawing on philosophical, spiritual, and cultural discourses across time, the residency invites participants to reflect on the evolving meanings of paradise in both personal and collective contexts.

Visual excavations of Prabhakar Kolte reveal the layered sediments of lived experiences of the artist as an individual and a carrier of a collective culture. The brushstrokes that run emphatically on the pictorial surfaces assume the vertical and horizontal interventions of digging, leaving viewers stand in amazement and awe as they unearth object-forms, geometrical shapes and unspoken rhythms that had been buried along with the memories. Together they create a language that is no longer in parlance but contain words and sentences both decipherable and indecipherable, making archeologists of aesthetics out of the astonished viewers. This curatorial project is meant to explore these questions in a vigorous way by taking the vignettes of Kolte visual expressions from the recent and remote series of paintings and celebrate the veteran’s 80th birthday. This exhibition is curated by JonhyML, presented by Treasure Art Gallery (TAG) is a distinguished cultural platform dedicated to the promotion and advancement of Modern and Contemporary Indian Art. The gallery serves as a dynamic space where artists, collectors, connoisseurs, institutions, and art enthusiasts engage in meaningful dialogue, fostering deeper appreciation and understanding of contemporary artistic practices.

Presented by Kalakriti Art Gallery, Hyderabad, in this group exhibition the artists have examined the shifts of the recent past through the lens of their own visual vocabulary. This could range from sudden presence or sudden lack of colour; moving from big to small canvases or from figuration to abstraction. A set of artists in this group can be seen archiving family histories some, having noticed the lack of representation of caste/gender, are rectifying that by inserting figures/archival material into their work. The constant presence of memories of a loved one, lost in the recent past, is being memorialized through found objects. The exhibition also looks at personal awakenings and has been curated by Avantika Bhuniya.

Roy K John’s paintings are better understood as vegetal architectures. In these works, fruiting trees, banana plants, bamboo clusters, birds, houses and water bodies form complete pictorial worlds. The plant is not a decorative subject placed within a landscape; it is the structure through which the landscape exists. Drawing on Kerala’s mural traditions, botanical observation and the memory of cultivated environments, Roy creates paintings where surface and depth remain in constant tension. Leaves flatten into pattern, fruits become icons, trunks become columns, and distant houses are absorbed into dense vegetal space. This exhibition is presented by Gallerie Splash, founded in 2010 by Jinoy Payyappilly, is a contemporary art institution in Gurgaon with a sustained commitment to research-driven practice and long-term artistic and curatorial development.